Joe McPhee: Angels, Devils & Haints

Forty years after Joe McPhee’s 1st album, Underground Railroad, comes Angels, Devils & Haints. Celebrate the change of the century and the life and music of Albert Ayler in a special program recorded live on tour in France, in 2000. The two volumes include the complete concert from the Europa Jazz Festival (Le Mans), as well as a bonus CD with music from Panonica (Nantes). ARTISTS Joe McPhee (tenor and alto saxophone, pocket trumpet); Michael Bisio, Dominic Duval, Paul Rogers, Claude Tchamitian (basses) TRACKS Volume One: Europa Jazz Festival, May 1, 2000 Angels, Devils and Haints 55:58 Goin' Home 4:36 Volume Two: Action Jazz, Pannonica, May 18, 2000 Ol' Man River 9:20 Angels and Other Aliens 24:12 The Gift 14:21

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Common Threads

McPhee Joe

The Joe McPhee Quintet recorded live on October 19, 1995, at The Tractor in Seattle. This phenomenal seventh night performance at the Earshot Jazz Festival garnered the quintet BEST CONCERT in the Earshot Golden Ear Awards. The CD features Joe McPhee, sax and pocket trumpet; Stuart Dempster, trombone; Loren Dempster, cello; Michael Bisio, bass; and Eyvind Kang, violin. Spirit Traveler , which is the longest cut, is a tribute to McPhee's long time inspiration, Don Cherry, who, coincidentally died on the day of the concert.

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Joe McPhee: Port of Saints

Featuring the irrepressible Joe McPhee on reeds & trumpet, Raymond Boni on guitar and Mike Bisio & Dominic Duval on acoustic basses. Second superb disc from Joe McPhee & friends on this label. Recorded at Chapelle Sainte Philomene, Puget-Ville, France on May 8, 2000. ARTISTS Joe McPhee (tenor sax); Michael Bisio (bass); Raymond Boni (electric guitar); Dominic Duval (bas)

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Joe McPhee: Remembrance

Remembrance is on the reactivated CJR label, the label that issued the first four releases under McPhee's name. Recorded at the 2001 Earshot Festival in Seattle this set puts McPhee in a trio with two long-time collaborators: French guitarist Raymond Boni and Seattle (now New York) bassist Michael Bisio. Despite the fact that Bisio and Boni have rarely played together, they have a simpatico relationship. McPhee sticks mostly to soprano with some pocket trumpet. There are some balance problems with Bisio at times buried in the mix, odd for such a strong player. This title track, in two parts, starting with the faintest of sounds emanating from Bisio's bowed bass, is a 40-minute free improv that wends its way through many peaks and valleys. Separating the two parts of Remembrance are two tracks. One is a poem written and read by Seattle-based poet Paul R. Harding. The poem is rife with jazz imagery accompanied by sparks from Boni's guitar. The other is an arco tour-de-force solo by Bisio. When Remembrance (Closing) begins, McPhee is on trumpet blowing high arcing phrases. He soon picks up his soprano and starts pecking out Blue Monk. A very intense version ensues taking the performance to its seeming conclusion. But there's a five minute coda of acappella saxophone that starts quietly and gets progressively quieter until the last few wispy notes drift into the ether. It's a remarkable ending to a remarkable performance. ARTISTS Michael Bisio (bass); Raymond Boni (guitar); Paul R. Harding (spoken music); Joe McPhee (soprano saxophone, pocket trumpet)

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Unquenchable Fire

Joe McPhee

Joe McPhee's Unquenchable Fire, a work inspired by Rachel Pollack's award-winning novel of the same title, was commissioned by The Deep Listening Institute for the Deep Listening Band and premiered at Lincoln Center Out-of-Doors

 

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