The Jilted Brides
Tanya Andrea Stadelmann and Nicole Skeltys
Film making and music composition
The Jilted Brides are a collaboration between two Australian artists - Tanya Andrea Stadelmann and Nicole Skeltys. Tanya is a singer, video artist and photographer, who has shot and directed short films (including Cannes screenings) and video projections (including for the Sydney Opera House). Nicole is a song writer and producer, with a long background in electronica. Nicole's previous electronic releases have been nominated for Aria awards and her previous femme-tech duo B(if)tek were once described as 'Australia's greatest electronic innovators'.
We formed as a psychedelic/folk/electronic duo in December 2007. Tanya sings and creates video projections for our performances, Nicole sings, plays keys and writes and produces the songs.
As we travel across North America, we are performing and also filming and recording the places and people we meet, including interviews with 'underground' American artists and musicians who
inspire us, and are also visiting sacred /site/sites.
PAULA JOSA-JONES, MA, CMA, RSME/T, is a choreographer, director and equestrian who has developed a unique form of visually charged dance-theater built on the sensuous experience of the body as landscape and source for movement, image and voice. Her work with her company Paula Josa-Jones/Performance Works includes theatrical choreography for humans, inter-species work with horses, dancers and riders, and work in film and video. Paula has worked with Pauline Oliveros for twenty years, and created three performance works featuring Pauline's music, including "Skin" (1990), "Ghostdance" (1996), and "Antigone's Dream" (1999). Deep Listening is an integral part of Paula's practice and teaching.
After two decades of creating theatrical works for humans, in 1998, Paula returned to riding and her childhood love of horses, and created an inter-species company with horses, dancers and riders. She has devoted herself to the study of dressage and areas of horse training and care including TTouch and Clicker Training, and is committed to an embodied and intuitive approach to the human-horse bond. In 2001 she premiered RIDE©, a groundbreaking work of equestrian dance theater, which continues to develop in performance and film.
Paula is the director of EMBODIED HORSEMANSHIP® which uses somatic movement practices, including Laban Movement Analysis/Bartenieff Fundamentals, Tellington TTEAM/TTouch®, Body-Mind Centering, Feldenkrais to bring a quality of emotional, physical and mental balance and expressivity into our relationships with our horses and humans. She teaches improvisation, creative process and Performing Wide Awake for performance artists in all genres. She has taught in the dance programs at Tufts University, Boston University and at universities, colleges and dance festivals nationally and internationally. Her writings on movement and dance have been published in Contact Quarterly. Paula is currently writing Horse Dreams, a book on her work with horses. She competes and performs and plays with her Andalusians Amadeo and Capprichio.
Lisa Barnard Kelley
Lisa Barnard Kelley is a vocalist, writer and performance artist. She has honed her skills over the years in acting, movement, stage direction/design, puppetry, jazz/free improvisation and sound production which she experiments with in performances including elements of spoken work, vocalization, masks, music and movement. She dedicates her craft to exploring the open field of vocal expression from within and through the guidance of her mentors.
Kelley is a student of Deep Listening with Pauline Oliveros and studies dream work and Egyptian mythology/divination with Ione and Andrea Goodman, recently traveling in 2004 to Southern Italy to study the Black Madonna and ancient temples of Sicily. Recently, Barnard has completed projects with Pauline Oliveros for a commissioned film score Maquilapolis and participated as Kingston, NY Coordinator for Robert Whitman’s media project Local Report. Lisa performs frequently with Linda Montano and co-created the band Brothelkin with lyricist Bob Lavaggi and guitarist Ian Turner. Currently, Barnard is collaborating with Al Margolis developing a multi-media performance piece, MutaMYTHeatre’s Three Songs in Search of a Voice: a noh(t)opera.
Kathy Kennedy is a sound artist whose practice generally involves the voice and issues of interface with technology, often using telephony or radio. She is also a singing teacher, choral director and arranger, and a community artist living in Montreal, and is a founder of the digital media center for women in Canada, Studio XX. Her large scale sonic installation/performances for up to 100 singers and radio, called "sonic choreographies," have been performed internationally including the inauguration of the Vancouver New Public Library and at the Lincoln Center's Out of Doors Series. This year's HMMM performance piece in Montreal involved several thousand hummers along the city's main street.
WRITER OF FICTION, novel, short story, poetry.
To me the identities of Woman and Artist are almost
synonymous in the sense that Woman is the fount, the
source of creativity, the creative impulse which her
Artistic self then moulds and fashions to express her
inherent, innate creativity in various ways.
To be Woman is to be Artist.
To be Artist is to be Woman.
New York, USA
Art Forms: Oriental Medicine including acupuncture and herbology; Homeopathy, Jungian Sand Play. Fiction, poetry, essay, and interview. Editorial midwifery. Student of voice and cello. Priestess, Ministry of Maat.
I am drawn to creative experience within which I can fully express myself as a spiritual being . As a healer, I experience the act of compassionate listening, of “diagnosis,” through story and touch, as a kind of still and sacred art form. Within each patient I encounter the entire universe. Having practiced Oriental Medicine for nearly two decades, during the past several years my other great passions, writing and music, have resurfaced. My novel, The Ravens’ Bridge, set in Prague in three layers of time, is an exploration of what it is that can actually travel and survive through time and historical trauma. Musically, I love to sing and have just begun to play the cello. Everything that motivates me to create is literally inspired by my continually evolving awareness of my female incarnation. Whether writing, healing, or sounding music, I desire and continually seek a profound connection to the lineage of female being.
Siew Wai Kok
Video art, sound & improvised music
I work with video and sound (mostly using the human voice) as my artistic practice. My work is mostly personal, starting from the very private self and moving towards understanding humanity in general. I believe that as human beings, we share the same human nature and face similar human problems. We have a common ground. Therefore, to understand oneself is ultimately to understand others, whom we live and work with everyday. This inquiry requires great effort, courage, persistence and genuine honesty, in which sometimes is not easy, as our modern human lives have become quite complicated and confusing. Along the way, we have forgotten “how it all get started” and the very thing that is dear to us. “Finding the true nature of the self and bravely giving it a voice” is what I’m interested in art making.
cineMA naif... using still images linked together to create a short reflection of a
archetypical subject or cultural ritual. Naturally connected to the movement of 'slow-art'. A kind of storytelling or mirroring that provides the viewer connected space to imagine their own 'life-experience' as if each of us is a pearl and the story is a string. that brings us together... like a big circular hug.
Poetry. & Haiku / Image.
The ART of TOUCH (impossible in virtual reality) a massage voyage ... lnspiring the spirit to soar and travel inviting a dreamtime state.
The revelation of the 'feminine principle' ... conscious and delicious expression.
As connected circle & cycle .. light, healing, joy... the matrix and dynamic where
problem solving is a creative act from the heart. Seeing my life in time...connected
to the whole. Art is not a visit but the flowline... even the mess in my house is
an 'artists' expression. Chaos theory. Fractal metaphors of discovering and serving
The universe by aligning the elements of a moment to light-up a fresh encounter with
process and solution. Blessed be/e.
New York, USA
Digital Imaging, Digital Holography, Multimedia
My identity as both a woman and an artist is embodied through the archetype of the Green Woman. She is shape-shifter, a mover between worlds, a co-creator with Nature. Her work is intended to provide connections, doorways, portals into the Natural world.
Through a series of interlinked and evolving projects I am presenting to the world a form of shamanic vision, like a web of living thoughts that any of us can dream. Using new technology, holograms, digital images, high resolution stereo video and holographic sound I collect elements recorded from natural sources or communications from the natural world and distill them into forms that are a part of the extended energetic realm of the Green Woman. Each project is designed to provide portals into other realms, fresh visions of essential parts of our being, images of power that make statements about the beings they record.