GroundWorks in this out of print, collector's item Irida recording are derivatives and transformations of components of Cantegral Segments, a continuing series of material for various mechanical and electronic instrument combinations and systems. Pieces include Transform (Stream), Cantegral Segment 18. 17, Transphalba, and Volta (Kernel). (1979)
GroundFive Mechanic Convention Streams, the first CD from Jerry Hunt using various idiophonic device arrays, keyed violin, and Hunt's unquestionably unique performance energy. An O.O. Discs release.
Four works made especially for video by Hunt that capture his notorious performance style. One hour tape with superb, real time hi-fi stereo quality.
A ¿What Next? release of three "translation links" for interactive electronics, device arrays, and other "stuff" by the late, great Texas Wildman. "Mysterious, beautiful, and completely eccentric, his music is almost impossible to describe: think of it as the musical equivalent of dowsing." Steve Peters, Nonsequitur Foundation
Three works of three independent Texas composers: Jerry Hunt, Lattice (1979), with Hunt at the piano; Philip Krumm, Sound Machine (1966); and Jerry Willingham, T'Chu (1978). The LP is one of Gallerie Irida's elegantly packaged publications. Extremely rare recording - only a few left in stock.
Babalon
(string) on The Aerial: Issue #1"Technoshamanic interactive computer blast." Collection also includes works by artists David Moss, Christine Baczewska, Rich Jensen, Loren Mazzacane and Suzanne Langille, Richard Kostelanetz, Lost Souls, Floating Concrete Octopus, Malcolm Goldstein, Stuart Sherman and Bern Porter.
Item number COMP-CD-3; Compact disc $16.00
(Note: New Copies, No Shrink Wrap)
Item number COMP-C-1; Cassette tape $8.00
Jerry Hunt was born in Waco, Texas, in 1943, and died in Canton, Texas, in 1993. He attended the University of North Texas and worked as a pianist through 1969, performing in concerts of contemporary music. He described the focus of his work after 1978 as "the production of a series of interrelated electronic, mechanic and social sound-sight interactive transactional system performances, work with and for other performers, and ineractive participant array installations." "Blue" Gene Tyranny calls Hunt "one of the most original composers of our time.[who].made a concert into an occasion that re-creates music's role in divination of all countries and ages." Stephen Hicken refers to Hunt's "sound-worlds" as being "complex and immediately compelling." After listening to Hunt's Cantegral Segment 18 (1976), Paul Demarinis writes of feeling "transport[ed] to an imaginary geographical place where speaking winds blow across a landscape marked with symbols."
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